Popular Culture
As Voronoff's work became famous in the 1920s, it began to be featured in popular culture. The song "Monkey-Doodle-Doo", written by Irving Berlin and featured in the Marx Brothers film The Coconuts, contains the line: "If you're too old for dancing/Get yourself a monkey gland". Strange-looking ashtrays depicting monkeys protecting their private parts, with the phrase (translated from French) "No, Voronoff, you won't get me!" painted on them began showing up in Parisian homes. At about this same time, a new cocktail containing gin, orange juice, grenadine and absinthe was named The Monkey Gland.
Voronoff was the prototype for Professor Preobrazhensky in Mikhail Bulgakov's novel Heart of a Dog, published in 1925. In the novel, Preobrazhensky implants human testicles and pituitary gland into a stray dog named Sharik. Sharik then proceeds to become more and more human as time passes, picks himself the name Polygraph Polygraphovich Sharikov, makes himself a career with the "department of the clearing of the city from cats and other vile animals", and turns the life in the professor's house into a nightmare until the professor reverses the procedure.
The Sherlock Holmes story The Adventure of the Creeping Man seems to have been inspired by Voronoff's work. Written in 1923 but set in 1903, it is about a distinguished, elderly, Cambridge Professor who experiences bizarre side-effects after secretly taking a drug, derived in an unspecified manner from monkeys, in order to produce rejuvenation.
Read more about this topic: Serge Voronoff
Famous quotes containing the words popular culture, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.”
—Susan Sontag (b. 1933)