Biography
Serge Venturini is a poet and a French teacher in Val-d'Oise since 1996, when he came back to France after having lived in Lebanon (1979–1981) and Morocco (1981–1984). After a brief come back to France (1984–1987), he lived in Armenia (1987–1990) and in Poland (1990–1996), on temporary assignment for the French Foreign Affairs Ministry.
His mother (born in Figline di Prato) worked sometimes as dressmaker, sometimes as cleaning lady, and his father (born in Rutali) was a cartographic designer at the Institut Géographique National during the week, and, with his brother Jean, guitarist and singer at feast days in Corsican receptions during the 1950s in Paris. He spent his childhood not far from the Musée Rodin in the 7th arrondissement of Paris. From 1955 till 1979, he stayed in 3 rue Rousselet. He was introduced to Heraclitus, Empedocles, Arthur Rimbaud and Friedrich Nietzsche. He began to write when he was fifteen.
His poésie du devenir ("poetry of destiny"), lightning and crystal-clear according to Geneviève Clancy who revealed him, is influenced by Pierre Reverdy and even more by René Char, and is at the junction of poetry and prose, of politics and philosophy. It was recognised as such by Yves Bonnefoy, André du Bouchet, Abdellatif Laabi and Laurent Terzieff.
His books deal with the "fight of the being". Air, earth, water and most of all fire have a peculiar importance in his works. The Resistance of poetry lies at the heart of his daily fights in favour of a rebellious speech, freer and freer, more and more opened up. He elaborates upon his Poétique du devenir ("poetics of destiny") in his premier livre d'Éclats (1976–1999) with a questioning of human destiny.
Le livre II d'Éclats (2000–2007) carries on with this reflexion and questions the post-human destiny. Le livre III has been published in 2009 and deals with the transhuman destiny. At the end of 2007, he elaborates upon a theory according to which there would be, between the visible and the invisible, a passage, in a flash, a brief vision: the "transvisible". He wrote:
| “ | The dark underground fire burns the dead's white bones. Behind my name is hidden a real warmachine. |
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—Serge Venturini, Fulguriances, n° 79, p. 28 |
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