Career As Player
Muhmenthaler was brought up in Grenchen and started his football with the youth teams of the local football club FC Grenchen. He also played in their first team in the Nationalliga B and they won promotion to the Nationalliga A in the 1970-71 season. The team also won the Uhrencup that year and Muhmenthaler scored the first goal in the final, as they beat FC Basel 3:1. In the summer of 1972 Muhmenthaler transferred to BSC Young Boys and he played there as Striker for three years. With the Young Boys Muhmenthaler won the Uhrencup 1973 and he scored a goal in the semifinal against his previous club Grenchen.
In 1975, Muhmenthaler transferred with a two year contract to FC Basel. He made his team debut in the 5:1 home win against Grasshopper Club Zürich and Muhmenthaler scored three of the goals. He was part of the title winning team in the 1976-77 football season. During a cup match in February 1976 he suffered a meniscus rupture. Nevertheless, Basel extended his contract despite the fact that Muhmenthaler had to undergo three operations within the following two years. Muhmenthaler reached his third Uhrencup Final with his third club in 1977 but was unable to repeat the success, the final ended in a 6:1 defeat against Neuchâtel Xamax. Reaching the final again in the next year, Basel won the 1978 Uhrencup 2:1 against the same finalists.
Muhmenthaler was forced to terminate his playing career early due to his injury.
Read more about this topic: Serge Muhmenthaler
Famous quotes containing the words career and/or player:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.”
—Muriel Rukeyser (1913–1980)