Visual Arts in Early Modern Serbia
The Ottoman conquest of Serbia during the 15th century is traditionally said to have had a negative impact of the visual arts. The church was not subdued to the Greek Orthodox Patriarchate at Constantinople and the nobles were not integrated into the Ottoman state system. As the nobility and church were the main sources of patronage for architects and artists, the early modern period is considered an artistically less productive period in the art of Serbia. Despite the general trend, remarkable monuments were built.
There was some resumption of artistic endeavour after the restoration of the Serbian patriarch in 1557. Djordje Mitrofanović was the leading painter of the early 17th century with his work on the church at the Morača Monastery considered as amongst his best. The Husein-Pasha Mosque in Pljevlja (Montenegro) is the most notable Muslim structure in the Balkans and dates from the middle of the 16th century.
A "Baroque" church 'Our Lady of the Rocks' on an island in the Boka Kotorska (Montenegro) is one of the most notable pieces of architecture in the Serbian lands from the early modern period. There are many fine specimens of silverware dating from the 17th century there. Traditional Serbian art was beginning to show some Baroque influences at the end of the 18th century as shown in the works of Nikola Nešković, Teodor Kračun and Jakov Orfelin.
Read more about this topic: Serbian Art
Famous quotes containing the words visual, arts, early and/or modern:
“For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.”
—Gloria Steinem (b. 1934)
“For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.”
—Joyce Cary (1888–1957)
“Some would find fault with the morning red, if they ever got up early enough.”
—Henry David Thoreau (1817–1862)
“Though collecting quotations could be considered as merely an ironic mimetism—victimless collecting, as it were ... in a world that is well on its way to becoming one vast quarry, the collector becomes someone engaged in a pious work of salvage. The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.”
—Susan Sontag (b. 1933)