Senenmut - Career

Career

Senenmut first enters the historical record on a national level as the "Steward of the God's Wife" (Hatshepsut) and "Steward of the King's Daughter" (Neferure). Some Egyptologists place Senenmut's entry into royal service during the reign of Thutmose I, but it is far more likely that it occurred during either the reign of Thutmose II or while Hatshepsut was still regent and not pharaoh. After Hatshepsut was crowned pharaoh, Senenmut was given more prestigious titles and became high steward of the king.

Senenmut supervised the quarrying, transport, and erection of twin obelisks, at the time the tallest in the world, at the entrance to the Temple of Karnak. One still stands today; the other broke in two and toppled centuries ago. Karnak's Red Chapel, or Chapelle Rouge, was intended as a barque shrine and may have originally stood between the two obelisks.

Senenmut claims to be the chief architect of Hatshepsut's works at Deir el-Bahri. Senenmut's masterpiece building project was the Mortuary Temple complex of Hatshepsut at Deir el-Bahri. It was designed and implemented by Senenmut on a site on the West Bank of the Nile close to the entrance to the Valley of the Kings. The focal point was the Djeser-Djeseru or "the Sublime of the Sublimes" mortuary temple-('Holy (of) Holiests'), a colonnaded structure of perfect harmony built nearly one thousand years before the Parthenon. Djeser-Djeseru sits atop a series of terraces that once were graced with gardens. It is built into a cliff face that rises sharply above it. Djeser-Djeseru and the other buildings of the Deir el-Bahri complex are considered to be among the great buildings of the ancient world. The building complex design is thought to be derived from the temple of Neb-hepet-Re Mentuhotep built nearly 500 years earlier at Deir-el-Bahri near Thebes. Senenmut's importance at the royal court under Hatshepsut is unquestionable:

"he was able to lay immediate claim to prime construction sites at Sheikh Abd el Qurna and Deir el Bahri itself for the excavation of his tomb chapel and burial chamber."

Senenmut's Theban Tomb 71 was started late in Year 7, "shortly after Hatshepsut's accession, the death of Hatnofer, and Hatnofer's internment with the exhumed remains of several family members", while the "excavation on the chapel seems to have continued until after Year 7" of the female pharaoh's reign. Senenmut's tomb appears to have enjoyed Hatshepsut's favour and "his portrayal in the Punt reliefs certainly postdates Year 9" of Hatshepsut.

The earliest known star map in Egypt is found as a main part of a decor in the Tomb of Senemut. The astronomical ceiling Astronomical ceiling of Senemut Tomb in Senenmut’s tomb (TT 353) is divided into two sections representing the northern and the southern skies. This indicates other dimension of his career, suggesting that he was an ancient astronomer as well.

Some Egyptologists have theorized that Senenmut was Hatshepsut's lover. Facts that are typically cited to support the theory are that Hatshepsut allowed Senenmut to place his name and an image of himself behind one of the main doors in Djeser-Djeseru, and the presence of graffiti in an unfinished tomb used as a rest house by the workers of Djeser-Djeseru depicting a male and a hermaphrodite in pharaonic regalia engaging in an explicit sexual act.

Although it is not known where he is buried, Senenmut had a chapel and a tomb constructed for him, respectively at (TT71) in the Tombs of the Nobles, and the tomb at (TT353) which contains a famous star ceiling, near the temple at Deir el-Bahri, near Hatshepsut's mortuary temple. They were both heavily vandalized during the reign of Thutmose III, perhaps during the latter's campaign to eradicate all trace of Hatshepsut's memory. Neither tomb by itself was complete as would be expected Egyptian tomb for a person of high standing. TT71 is a typical Theban Tomb chapel, but does not have burial chambers. TT353 is fully underground without any overground chapel. They complement each other and are only together a full burial monument.