See No Evil, Hear No Evil - Reception

Reception

TriStar Pictures was looking to produce another film starring Wilder and Pryor, and Wilder agreed to do See No Evil, Hear No Evil only if he was allowed to re-write the script. The studio agreed and See No Evil, Hear No Evil premiered on May 1989 to mostly negative reviews. Many critics praised Wilder's and Pryor's, and Kevin Spacey's performances, but they mostly agreed that the script was terrible. Roger Ebert called it "a real dud", the Deseret Morning News described the film as "stupid", with an "idiotic script" that had a "contrived story" and too many "juvenile gags." On the other hand Vincent Canby called it "by far the most successful co-starring vehicle for Mr. Pryor and Mr. Wilder", while also acknowledging that "this is not elegant movie making, and not all of the gags are equally clever." The film has also gained a cult following in the past decade.

Despite the negative reviews, the film was a box office success, able to stay at # 1 for two weeks.

Sachin Pilgaonkar was inspired by the film's plot and used in Marathi Movie Eka Peksha Ek in 1990 which he directed. The film also inspired the 2006 Bollywood film Pyare Mohan.

Read more about this topic:  See No Evil, Hear No Evil

Famous quotes containing the word reception:

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)