Secrets of The Stars - Plot - Part 2

Part 2

Clyde threatens Sarah Jane but they manage to talk him out of it, which leads Sarah Jane to believe that Trueman's control on people can be repressed by persuading them to do something that they do not normally want to do. Meanwhile, using in his broadcast to the world, Martin Trueman takes over each star sign one by one, starting with Gemini - including Rani's mother. The world is in confusion as people are accepting the 'Ancient Lights'. Sarah Jane and the gang head to the New Theatre in East Acton to stop the broadcast, but the possessed Children of Gemini threaten to stop them. Clyde bluffs his way through by making up horoscopes.

The Ancient Lights create a portal through to the theatre. Martin reveals that Luke's theory on the Ancient Lights is true. Martin insinuates that in the old universe, they used to control all lifeforms. The Ancient Lights survived the Big Bang and needed Martin Trueman to rule the world because, he was the 'Chosen One'. Sarah Jane tries to talk him out of it but to no avail. Rani and Luke try to shut down the broadcast by flicking the mains switch off, but it is protected by the Ancient Lights' energy. Rani is an Aries and eventually becomes possessed, leaving only people with the star-sign of Taurus, which includes Sarah Jane, not under Trueman's control. However Luke, who was not born and so does not have a star-sign, realises he can stop the power of the Ancient Lights by breaking Trueman's circle. Realising that he has been beaten, Trueman cannot bear to return to his former life and instead chooses to become one with the stars, disappearing in a trail of golden dust. In the aftermath, the unaware Earth authorities begin a search for Trueman, and Sarah Jane declares the date will be Luke's equivalent to a birthday.

Read more about this topic:  Secrets Of The Stars, Plot

Famous quotes containing the word part:

    That the mere matter of a poem, for instance—its subject, its given incidents or situation; that the mere matter of a picture—the actual circumstances of an event, the actual topography of a landscape—should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees.
    Walter Pater (1839–1894)