Plot
Lee Holloway (Maggie Gyllenhaal), the socially awkward and emotionally sensitive youngest daughter of a dysfunctional family, adjusts to normal life after having been hospitalized following an incident of dangerous self-harm. She learns to type, starts to date an acquaintance from high school named Peter, and begins to work as a secretary for an eccentric attorney, E. Edward Grey (James Spader), who hires her despite her stilted social skills and unprofessional appearance.
Though at first Grey appears highly irritated by Lee's typos and other innocuous mistakes, it soon becomes apparent that he is sexually aroused by her submissive behavior. After he confronts her about her propensity for self-injury and commands that she never hurt herself again, the two embark on a BDSM relationship. Lee experiences a sexual and personal awakening, and she falls deeply in love. Edward, however, displays insecurity concerning his feelings for Lee, and he shows shame and disgust over his sexual habits. After a sexual encounter in his office, he fires Lee.
During this period of exploration with Edward, Lee has also been attempting to have a normal boyfriend in Peter (Jeremy Davies), even engaging in lukewarm sex with him. After Lee is fired from her job, Peter proposes to Lee, who reluctantly agrees to marry him. However, while trying on her wedding gown she leaves and runs to Edward's office where she declares her love for him. Edward, still uncertain about their relationship, tests Lee by commanding her to sit in his chair without moving her hands or feet until he returns. Lee eagerly complies. Days pass, as Peter, family members, and acquaintances individually visit Lee to alternately attempt to dissuade or encourage her. After three days, Edward returns to the office and takes Lee to his apartment where he bathes and nurtures her. The pair marry and happily continue their dominant-submissive relationship.
Read more about this topic: Secretary (film)
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)