Arts
Prior to the collapse of Yugoslavia in the 1990s, Yugoslavia had a multicultural society based on the concept of brotherhood and unity and the memory of the communist Yugoslav Partisans' victory against fascists and nationalists as the rebirth of the Yugoslav people. In the SFRY the history of Yugoslavia during World War II was portrayed as a struggle not only between Yugoslavia and the Axis Powers, but as a struggle between good and evil within Yugoslavia with the multiethnic Yugoslav Partisans were represented as the "good" Yugoslavs fighting against manipulated "evil" Yugoslavs – the Croatian Ustaše and Serbian Chetniks. The SFRY was presented to its people as the leader of the non-aligned movement and that the SFRY was dedicated to creating a just, harmonious, Marxist world. Artists from different ethnicities in the country were popular amongst other ethnicities, and the film industry in Yugoslavia avoided nationalist overtones until the 1990s.
Read more about this topic: Second Yugoslavia
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“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)