Second Epistle To The Corinthians - Composition

Composition

While there is little doubt among scholars that Paul is the author, there is discussion over whether the Epistle was originally one letter or composed from two or more of Paul's letters.

Although the New Testament only contains two letters to the Corinthians, the evidence from the letters themselves is that he wrote at least four:

  1. 1 Cor 5:9 ("I have written you in my letter not to associate with sexually immoral people", NIV) refers to an early letter, sometimes called the "warning letter".
  2. 1 Corinthians
  3. The Severe Letter. Paul refers to an earlier "letter of tears" in 2 Corinthians 2:3-4 and 7:8. 1 Corinthians does not match that description; so this "letter of tears" may have been written between 1 Corinthians and 2 Corinthians.
  4. 2 Corinthians

The abrupt change of tone from being previously harmonious to bitterly reproachful in 2 Corinthians 10-13 has led many to speculate that chapters 10-13 form part of the "letter of tears" which were in some way tagged on to Paul's main letter. Those who disagree with this assessment usually say that the "letter of tears" is no longer extant.

Some scholars also find fragments of the "warning letter", or of other letters, in chapters 1-9, for instance that part of the "warning letter" is preserved in 2 Cor 6:14-7:1, but these hypotheses are less popular.

Read more about this topic:  Second Epistle To The Corinthians

Famous quotes containing the word composition:

    Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.
    Gertrude Stein (1874–1946)

    I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.
    Henry David Thoreau (1817–1862)