Title Sequences
Throughout its entire thirty-five year run, Search's title sequence featured of a shot of clouds floating through the sky. In fact, they consisted entirely of that until 1981. The only noticeable change was the slightly altered "S" in "Search" upon switching to color. In late 1981, they switched to a glitzy new videotaped opening sequence beginning with a shot of a seagull flying over the ocean, followed by a helicopter shot of the clouds in the midday sky. In the show's final months, the titles featured a montage of cast clips, bookended with sky shots.
The theme music for the early years sounded a little like "Beyond the Blue Horizon" to some, which would have seemed quite appropriate for this show given the sequence. Upon switching to color, a theme titled "Interchange" by Bill Meeder was used for the opening, and later on in 1974, a short-lived theme titled "Signature for Search for Tomorrow" by Ashley Miller (by then, it was still using in-studio organ accompaniment).
From October 7, 1974 to February 25, 1986, Search used a pop ballad theme: "We'll Search for Tomorrow" by Jon Silbermann, Jack Cortner, and John Barranco. This followed a trend initiated by The Young and the Restless for using pop ballads for soap theme tunes. Several arrangements were used during its 12-year run: the original version, a more orchestral version, a Latin disco-flavored version, and a vocal version for closing credits.
The sequence during the show's final months was accompanied by a new "techno-rock" theme by Bill Chinnock called "Somewhere in the Night".
Read more about this topic: Search For Tomorrow
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