Sean Foley (comedian) - Leading Comedy Theatre Director

Leading Comedy Theatre Director

Foley made his directorial debut in 2007 with Pinter's People. He then directed several stage shows by stand-up comedians including Joan Rivers, Nina Conti and Armstrong and Miller. He achieved significant West End success in 2012, when he directed productions of The Ladykillers (for which he was nominated for the 2012 Laurence Olivier Award for Best Director) and Joe Orton's What the Butler Saw. He also, with Patrick Barlow, co-directed and co-wrote a four-actor stage adaptation of Ben Hur at the Watermill Theatre, a regional English theatre.

In 2013, Foley will make his Royal Shakespeare Company debut, directing Thomas Middleton's A Mad World, My Masters. He has also been announced as the director of the X Factor stage musical, X Factor - It's Time To Face The Musical!, scheduled to premiere in 2014. Foley has plans for a theatrical adaptation of P. G. Wodehouse's Jeeves and Wooster stories, to be titled Perfect Nonsense.

Read more about this topic:  Sean Foley (comedian)

Famous quotes containing the words leading, comedy and/or theatre:

    “The clergyman is expected to be a kind of human Sunday. Things must not be done in him which are venial in the week-day classes. He is paid for this business of leading a stricter life than other people. It is his raison d’ĂȘtre.... This is why the clergyman is so often called a “vicar”Mhe being the person whose vicarious goodness is to stand for that of those entrusted to his charge.”
    —Samuel Butler (1835–1902)

    “The difference between tragedy and comedy is the difference between experience and intuition. In the experience we strive against every condition of our animal life: against death, against the frustration of ambition, against the instability of human love. In the intuition we trust the arduous eccentricities we’re born to, and see the oddness of a creature who has never got acclimatized to being created.”
    —Christopher Fry (b. 1907)

    “Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
    —William James (1842–1910)