"Screen direction" is a term used in motion picture and video editing and refers to an underlying concept of cinematic grammar which involves the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.
"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), while "background" refers to the apparent space in the distance away from the camera and the audience.
As an example of screen direction in use, if an actor is shown in one shot walking from screen left to screen right, and then shown in the immediately following shot to be moving in the opposite direction (screen right to screen left), the audience will assume that the actor has changed direction and is walking back to where he started (in the absence of obvious contextual or environmental cues). If the shot shows him again moving from screen left to screen right (as in the first shot), the audience will assume that the actor is continuing his previous movement and extending it to apparently cover a greater distance, even if this is purely a fabrication of editing.
Another example would be if two characters are shown in a medium shot, say from the waist up, looking at each other, it is generally established that one is on the Left of screen and the other on the Right. The one on the Left looks Right to the other character, and vice versa. When the Editor cuts to a close shot of that person it would be disorienting if he/she were looking the other way. The audience would assume he/she were looking at something else. So in the coverage of the scene, it is customary in film technique to be sure screen direction is maintained. In a close up, the environmental cues are at a minimum.
It is the responsibility of the director, cameraman, and script supervisor on the set to maintain consistency of screen direction so that later during editing the myriad short pieces of film can be properly assembled by the editor into a coherent film that tells the story intended.
Avant-garde, experimental, and some independent film and video productions often deliberately violate screen direction rules in order to create audience disorientation or ambiguity. However, unless done very skillfully, violation of screen direction can appear to the audience to be the result of filmmaker ineptitude rather than experimentation.
Famous quotes containing the words screen and/or direction:
“She was custom built for the pictures—teeny tiny, one inch less than five foot, and a perfectly enormous head. Her face went right from one side of the screen to the other. Gloria Swanson was like that, as well. Joan Crawford, too. You need the big face, for the closeups.”
—Angela Carter (1940–1992)
“Each man has his own vocation. The talent is the call. There is one direction in which all space is open to him. He has faculties silently inviting him thither to endless exertion. He is like a ship in the river; he runs against obstructions on every side but one; on that side all obstruction is taken away, and he sweeps serenely over a deepening channel into an infinite sea.”
—Ralph Waldo Emerson (1803–1882)