Plot
Six months after Sam sold the bar to a corporation, the place caters to a more up-market clientele. Eddie Lebec turns up and is surprised when Carla Tortelli tells him she is pregnant (inspired by her portrayer Rhea Perlman's another real-life pregnancy). Sam Malone then returns to the bar after his attempt to sail around the world failed at the first hurdle when his sailboat ran ashore in the Caribbean. Though Cheers has new management, Woody Boyd and Carla are still employed at the bar. Sam then also needs a job, but the bar already has two bartenders, Woody and a new employee, Wayne. Diane Chambers' attempts at writing her novel are said to have failed, which led to her leaving Boston to write in Hollywood.
Sam then meets Rebecca Howe, who is the new manager of Cheers and almost immediately turned off by him based on the rumors of Sam's "sexual prowess". Rebecca uses Sam's former office as her own and, although it has been completely renovated, Sam is able to use Carla's tricks to overhear Rebecca talking to her boss Evan Drake, whom she has a crush on. Evan knows Sam as a baseball player and wants to hire him to be a bartender. Sam is then hired, but one of the two current bartenders must be sacked to make room for him. The bar regulars want Wayne to go, but Rebecca wants to fire Woody. A competition then ensues to see if Wayne actually knows how to make every drink known to man. If Wayne loses the bet, he agrees to leave, but if he wins the bet, then he gets Sam's now-damaged sailboat. The gang plays a prank to cause Wayne to lose over the fictional cocktail "Screaming Viking" and he walks out, though Rebecca is up to their game and tells Sam to leave. Sam then promises nothing of the sort will recur and is provisionally re-hired on the understanding that this is his last chance.
Read more about this topic: Screaming Viking
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)