Production
Doctor Who had suspended production in 1989, and aside from charity specials had only resurfaced as an American-funded television movie in 1996, which did not garner enough ratings to go to a regular series. When Shalka was announced in July 2003 for planned broadcast in November, the possibility of Doctor Who returning to television screens still seemed remote and BBC Worldwide were continuing to shop around for another possible movie deal. As a result, BBCi officially announced, with BBC approval, that the Doctor appearing in Shalka would be the Ninth Doctor. However, events rapidly overtook this.
In September Lorraine Heggessey, the Controller of BBC One, managed to persuade BBC Worldwide that as their plans for a Doctor Who film were nowhere near fruition, BBC television should be allowed to make a new series. A deal with Russell T Davies to produce the new series was quickly struck, and on September 26, the BBC announced that Doctor Who would be returning to BBC One in 2005, produced by BBC Wales. As a result, the status of the Shalka webcast was in doubt from even before it was released.
After the webcast, in February 2004, plans for sequels or a DVD release were indefinitely shelved. For a period, it was unclear if the new television Doctor would be the Ninth or Tenth Doctor, but this was ultimately settled in April 2004 when in an interview with Doctor Who Magazine, Davies announced that the new television Doctor (played by Christopher Eccleston), would be the Ninth Doctor, relegating Grant's Doctor to an alternate Doctor. Davies later commented that Grant had never been considered for the role in the television series, telling Doctor Who Magazine: "I thought he was terrible. I thought he took the money and ran, to be honest. It was a lazy performance. He was never on our list to play the Doctor."
Read more about this topic: Scream Of The Shalka
Famous quotes containing the word production:
“The production of too many useful things results in too many useless people.”
—Karl Marx (1818–1883)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)