Career
Goodall created and wrote the character "Fishboy" (illustrated by John Stokes) and lesser-known characters such as "Splash Gorton" (illustrated by Joe Colquhoun). He was a frequent contributor to the 1980s relaunch of Eagle, creating the strips Invisible Boy and Walk Or Die, and working on other strips including "Manix."
Scott Goodall MBE also wrote "Captain Hurricane" scripts for VALIANT comic from 1963 to 1976. He also wrote "Galaxus The Thing From Outer Space" for BUSTER comic from 1968 to 1976. His other well-known scripts include "Marney the Fox" and the major success "Rat-Trap" in COR comic in 1972.
He was also heavily involved in the mid-sixties launch of TV 21 with Alan Fennell and Angus Allan. Scott wrote the "Thunderbirds" scripts for two years drawn by Frank Bellamy, and also most of the scripts for "Zero X", drawn by Mike Noble.
Read more about this topic: Scott Goodall
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)