Schindler House - Construction

Construction

When Schindler first submitted plans to the local planning authorities, they were denied, citing this radical, at the time, new method of construction. After many trips to the local planning office and extensive talks to convince them of its merit, the Building department granted him a temporary permit, meaning that they reserved the right to halt construction at any stage

The house is built on a flat concrete slab, which is both the foundation and the final floor. The walls are concrete tilt up slabs, poured into forms on top of the foundation. The tilt up slabs are separated by 3 inches (76 mm), filled with concrete, clear glass or frosted glass. The tilt up panels act as the hard sheltering wall at the back of the house, and a softer permeable screen at the front. Schindler had long been fascinated by the construction method of tilt up concrete slabs, having done extensive research on them in his early days working for Ottenheimer, Stern, and Reichert. He was now intent on using this method for the new home he was designing, along with friend, Clyde Chace.

With Schindler as architect and Chace as builder to save costs, construction began in November 1921. Construction was complete by May 1922, with a total cost of $12,550. The landscaping, furniture and sleeping baskets remained to be completed. The Chaces and Schindlers shared the house from the summer of 1922 until July 1924 when the Chaces moved to Florida.

Read more about this topic:  Schindler House

Famous quotes containing the word construction:

    There is, I think, no point in the philosophy of progressive education which is sounder than its emphasis upon the importance of the participation of the learner in the formation of the purposes which direct his activities in the learning process, just as there is no defect in traditional education greater than its failure to secure the active cooperation of the pupil in construction of the purposes involved in his studying.
    John Dewey (1859–1952)

    There’s no art
    To find the mind’s construction in the face.
    William Shakespeare (1564–1616)

    No construction stiff working overtime takes more stress and straining than we did just to stay high.
    Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)