Saxophone Concerto (Glazunov) - History

History

Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day; it remained untouched for a long time as it was considered "middle class". However, Glazunov was enthralled by the sound of the saxophone: a new timbre in the musical world.

The work premiered in Nyköping, Sweden, on 25 November 1934, with Sigurd Raschèr, a famous German saxophonist, as soloist. It is Raschèr who is credited for bringing about the concerto's composition. He hounded Glazunov for a saxophone concerto, so much so that the composer wrote to a colleague that he had started the piece in March "under the influences of attacks rather than requests from the Danish (sic) saxophonist named Sigurd Rascher". He completed the work in June 1934.

Glazunov almost certainly never heard his Saxophone Concerto publicly performed, as the first Paris performance of the work did not occur until after his death. He made no mention in his letters of any collaboration with another composer on the concerto. However, in 1936, the publishing company made an addition to the piano reduction: they added A. Petiot as a second composer.

Read more about this topic:  Saxophone Concerto (Glazunov)

Famous quotes containing the word history:

    Don’t you realize that this is a new empire? Why, folks, there’s never been anything like this since creation. Creation, huh, that took six days, this was done in one. History made in an hour. Why it’s a miracle out of the Old Testament!
    Howard Estabrook (1884–1978)

    The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?
    Ralph Waldo Emerson (1803–1882)

    False history gets made all day, any day,
    the truth of the new is never on the news
    False history gets written every day
    ...
    the lesbian archaeologist watches herself
    sifting her own life out from the shards she’s piecing,
    asking the clay all questions but her own.
    Adrienne Rich (b. 1929)