Works
Kaempf was a prolific writer. His works include:
- "Biographie des Hochberühmten Hochseligen Herrn Akiba Eger, Oberrabbiner zu Posen, Nebst einem Hebräischen Trauergedicht" (with other Hebrew and German poems, Lissa, 1838)
- "Die Ersten Makamen aus dem Tachkemoni, oder Divan des Charisi" (Berlin, 1845)
- "Simrath Jah: Gottesdienstliches Gesangbuch, Eingeführt im Israelitischen Tempel zu Prag" (Prague, 1849)
- "Nichtandalusische Poesie Andalusischer Dichter aus dem Elften, Zwölften und Dreizehnten Jahrhundert" (vol. ii. printed under the title "Zehn Makamen aus dem Tachkemoni, oder Divan des Charisi," ib. 1858)
- "Suleiman: Dramatisches Gedicht" (ib. 1859)
- "Mamtik Sod: Beleuchtung des Frankelschen Werkes 'Hodegetik zur Mischna' in Dogmatischer Beziehung," a defense of Frankel in his controversy with S. R. Hirsch (ib. 1861)
- "Die Inschrift auf dem Denkmal Mesa's, König von Moab" (ib. 1870)
- "Phönizische Epigraphik: Die Grabschrift Eschmunazars, Königs der Sidonier" (ib. 1874)
- "Das Hohelied ins Deutsche Uebertragen" (ib. 1877).
His collection of prayers for Jewish holidays and festivals, according to the ritual of the Temple Congregation of Prague (ib. 1854; also translated), has been frequently republished. In cooperation with Ludwig Philippson and W. Landau he edited the Bible for the Jewish Bible Society.
In addition to many single sermons delivered at celebrations and on various special occasions, several treatises of larger scope were contributed by him to various periodicals: "Ueber die Vorstellung der Alten Hebräer von der Unsterblichkeit der Seele" (in "Orient, Lit." 1842, Nos. 7-27); "Ueber Spinoza's Theologisch Politischen Traktat" (ib. 1842, Nos. 34-47); "Hillel der Aeltere" (ib. 1849).
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Famous quotes containing the word works:
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)