History
Designed by John Galen Howard and built by Giovanni "John" Meneghetti in the Classical Revival Beaux-Arts style, Sather Gate was completed in 1910. Atop the gate are eight panels of bas-relief figures: four nude men representing the disciplines of law, letters, medicine, and mining, and four nude women representing the disciplines of agriculture, architecture, art, and electricity. They were sculpted by Professor Earl Cummins.
Originally, the gate served as the terminus of Telegraph Avenue, and marked the University's south entrance. (The circle in front of the gate served as a turning point for the trolleys coming from Oakland.) The University later expanded further south of Strawberry Creek, and the gate is now well separated from Berkeley's city streets by Sproul Plaza.
Sather Gate has undergone restoration beginning in October 2008 that focused on its bronze and steel metal work, which had deteriorated over time. During its restoration it remained open to pedestrian and vehicular traffic. Restoration of Sather gate was completed in April 2009. Wiss, Janney, Elstner Associates, Inc., coordinated the restoration of Sather Gate; a 2010 Design Award recipient from the California Preservation Foundation.
Read more about this topic: Sather Gate
Famous quotes containing the word history:
“The second day of July 1776, will be the most memorable epoch in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated, as the day of deliverance, by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires and illuminations, from one end of this continent to the other, from this time forward forever more”
—John Adams (17351826)
“Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds.”
—Henry David Thoreau (18171862)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)