The Saskatchewan Arts Board is an arms-length funding agency that provides grants, programs and services to individuals and groups whose activities have an impact on the arts and the people of Saskatchewan. Established by the Government of Saskatchewan in 1948, it was the first agency of its kind in Canada.
The professional and management staff of the Arts Board provides consultation services in a variety of areas including community and organizational development, research, information, advocacy and communications. In addition, the Arts Board is involved in a number of partnerships and co-operative arrangements with like-minded organizations and manages the world's largest collection of art objects exclusively by Saskatchewan artists.
The importance of the input and feedback of the community it serves is a priority throughout the Arts Board's operations and is formalized within the Arts Board Act, 1997. Although officially appointed by the Lieutenant Governor-in-Council, one-third of the members of the Arts Board’s board of directors is chosen from a list of nominees provided by the arts community. This process assists in ensuring the Arts Board is representative of the thoughts, ideas and directions of the community itself. The board reports to the province’s minister responsible for the Saskatchewan Arts Board.
Read more about Saskatchewan Arts Board: History, Arts Funding Programs, Permanent Collection, Art Rental, Lieutenant Governor's Arts Awards, Annual Art Exhibitions, Supporting Indigenous Artists, Creative Industries, Partnerships, 100 Years of Heart: Celebrating Saskatchewan's Centennial, External Links, News Stories
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“For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.”
—Joyce Cary (18881957)
“During depression the world disappears. Language itself. One has nothing to say. Nothing. No small talk, no anecdotes. Nothing can be risked on the board of talk. Because the inner voice is so urgent in its own discourse: How shall I live? How shall I manage the future? Why should I go on?”
—Kate Millett (b. 1934)