Saskatchewan - Arts and Culture

Arts and Culture

Main article: Culture of Saskatchewan See also: Tourism in Saskatchewan
Museums and galleries
  • Norman MacKenzie Art Gallery
  • Mendel Art Gallery
  • RCMP Heritage Centre
  • Saskatchewan Western Development Museum
Artist-run centres
  • PAVED Arts
Artists
  • Joe Fafard, sculptor

Canadian television sitcoms Corner Gas and Little Mosque on the Prairie are both set in small Saskatchewan towns. The novels of W. O. Mitchell, Sinclair Ross, Frederick Philip Grove, Guy Vanderhaeghe, Michael Helm and Gail Bowen are also frequently set in Saskatchewan, as are children's novels of Farley Mowatt. The English naturalist "Grey Owl" spent much of his life living and studying in what is now Prince Albert National Park.

The Arrogant Worms' song "The Last Saskatchewan Pirate" about a disgruntled farmer who takes up piracy on the namesake river mentions various parts of the province such as Saskatoon, Regina and Moose Jaw. Popular Québécois band Les Trois Accords recorded a song in French called "Saskatchewan" on its first album, Gros Mammouth Album. It was the third single of that album and met moderate success in French Canada. The region is also referenced in the titular Buffy Sainte-Marie cover "Saskatchewan", by British Band Red Box; it was released as a single in 1984 and a reworked version appeared on their 1986 début album The Circle & the Square.

The Saskatchewan Roughriders are the province's only major professional sports franchise, and are extremely popular across Saskatchewan. The team's fans are also found to congregate on game days throughout Canada, and collectively they are known as "Rider Nation".

In 2006, the founder of One Red Paperclip, Kyle MacDonald, ended his trading-game after swapping a movie role in the film Donna on Demand for a two-story farmhouse in Kipling, Saskatchewan.

Read more about this topic:  Saskatchewan

Famous quotes containing the words arts and, arts and/or culture:

    I should say that the most prominent scientific men of our country, and perhaps of this age, are either serving the arts and not pure science, or are performing faithful but quite subordinate labors in particular departments. They make no steady and systematic approaches to the central fact.... There is wanting constant and accurate observation with enough of theory to direct and discipline it. But, above all, there is wanting genius.
    Henry David Thoreau (1817–1862)

    No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
    Gertrude Stein (1874–1946)

    Nobody seriously questions the principle that it is the function of mass culture to maintain public morale, and certainly nobody in the mass audience objects to having his morale maintained.
    Robert Warshow (1917–1955)