Sarat Chandra Chattopadhyay - Works

Works

  • Bordidi, (The Elder Sister) 1907
  • Bindur Chhele, (Bindu's Son) 1913
  • Parinita/Parineeta, 1914
  • Biraj Bou, (Mrs. Biraj) 1914
  • Ramer Shumoti, (Ram Returning to Sanity) 1914
  • Palli Shomaj, 1916
  • Arakhsanya, 1916
  • Debdas/Devdas, 1917 (written in 1901)
  • Choritrohin, (Characterless) 1917
  • Srikanto, (4 parts, 1917, 1918, 1927, 1933)
  • Datta, 1917–19
  • Grihodaho, 1919
  • Dena Paona, (Debts and Demands) 1923
  • Pather Dabi, (Demand for a Pathway) 1926
  • Ses Prasna, (The Final Question) 1931
  • Bipradas, 1935
  • Nishkriti
  • Mej Didi
  • Chandranath
  • Bilashi
  • Mandir
  • Pandit Mashay
  • Dhare Alo
  • Naba Bidhan
  • Shesher Parichoy
  • Boikunter Will
  • Shubhoda
  • Swami (The Husband)
  • Ekadoshi Bairagi
  • Mahesh (The Drought)
  • Anuradha
  • Anupamar Prem
  • Andhare Aalo
  • Dorpochurno (Broken Pride)
  • Harilakshmi
  • Kashinath
  • Abhagir Swargo
  • Aalo O Chhaya
  • Sharda (published posthumously)

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Famous quotes containing the word works:

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
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    When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.
    Ralph Waldo Emerson (1803–1882)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)