Career
She started her entertainment career at age 12, working in a local production of The King and I for $150 a week.
In the mid-1960s, Duncan was an unknown actress in Los Angeles when she was selected for a part in a TV commercial for United California Bank (later to become part of First Interstate Bank), portraying a bank teller who finds it impossible to pronounce the name of customer "Nicholas H. Janopoporopolus", despite several tries. (She apologetically asks, "Do you mind if I just call you 'Nick'?") In 1968, she spent a brief time acting in the soap opera Search for Tomorrow.
In 1970, she was named one of the "most promising faces of tomorrow" by Time magazine. Also that year, she starred in the Broadway revival of The Boy Friend, where she received excellent reviews. Duncan made her feature film debut co-starring opposite Dean Jones in the Walt Disney family comedy The Million Dollar Duck. She was then cast as "Amy Cooper" in the Paramount film version of Star Spangled Girl, based on the Broadway play by Neil Simon. Both movies performed poorly at the box office.
In the fall of 1971, Duncan starred as "Sandy Stockton" in the CBS sitcom Funny Face. The program was put on the Saturday night primetime schedule between All in the Family and The New Dick Van Dyke Show. Although critics dismissed the show, they praised Duncan, especially TV Guide columnist Cleveland Amory, who described her as "a wonderful comedienne". Meanwhile, shortly after the premiere, Duncan underwent surgery on her left eye to remove a benign tumor. As a result, she lost vision in the eye. (It was not replaced with a prosthetic eye, as some urban myths claim.) Though Duncan's recovery from the operation was rapid, CBS suspended production on the show until the following year, after the 12th installment had been filmed; the original series pilot served as the 13th (and final) episode. At first, Nielsen ratings for Funny Face were low, ranking in the lower 50s; eventually, they climbed up to #17, and it was deemed the best liked new show of that TV season. For all her efforts, Duncan received an Emmy Award nomination for "Outstanding Continued Performance By An Actress In A Leading Role In A Comedy Series". In September 1972, the program returned as The Sandy Duncan Show, now with a revised format and new writers; it also had a new timeslot of Sunday nights at 8:30 P.M. Critical reaction to the show was similar to that for Funny Face, but without the strong Saturday night lead-in of All in the Family, the ratings sank. After 13 episodes, CBS cancelled the series.
In 1976, Duncan played the title role in a TV musical adaptation of Pinocchio, which featured Danny Kaye as "Mister Geppetto" and Flip Wilson as "the Fox". She also guest-starred in a first season episode of The Muppet Show where, contrary to common misconception, she was not the first to be karate-chopped by Miss Piggy, but she did share a raucous moment recollecting "The Banana Sketch" with Fozzie Bear. Next, for her performance as "Missy Anne Reynolds" in the miniseries Roots, she earned another Emmy nomination.
It was then that she went back to Broadway for many years. In 1979, her run as the title role in Peter Pan won her many accolades. She also had replacement roles in My One and Only and Chicago.
Duncan has been nominated for a Tony Award three times: in 1969, as "Featured Actress (Musical)" in Canterbury Tales; in 1971, as "Best Actress (Musical)" in The Boy Friend; and in 1980, as "Best Actress (Musical)" in Peter Pan.
In 1972, an animated version of Duncan (who contributed her own voice) appeared in "Sandy Duncan's Jekyll and Hyde", an episode of the CBS Saturday morning cartoon The New Scooby-Doo Movies.
In 1976, she guest-starred in the Six-Million Dollar Man and the Bionic Woman playing the role of Gillian, in "The Return of Bigfoot" episodes.
In 1978, she starred in Disney's The Cat from Outer Space alongside Ken Berry, Harry Morgan and Roddy McDowall.
During the 1980s, Duncan was the commercial spokesperson for the introduction of Nabisco's Wheat Thins.
In 1981, she lent her voice to Vixey in Disney's The Fox and the Hound.
In 1984, she starred in a song and dance review called 5-6-7-8...Dance! at Radio City Music Hall.
Also in 1984, she provided voice work for the My Little Pony movie Rescue at Midnight Castle as Firefly and Applejack.
From 1986 to 1987, she reprised her role as Firefly in the My Little Pony 'n Friends TV series.
In 1987, she joined the cast of NBC's Valerie's Family (previously known as Valerie, later to be retitled The Hogan Family) after Valerie Harper was dismissed from the sitcom. Duncan starred as the matriarch's sister-in-law, Sandy Hogan, who moved in with her brother Mike (Josh Taylor) and his three sons to help raise the family after Valerie Hogan's death. Duncan remained with the series through its cancelation in 1991 (the final season of which aired on CBS). In addition, she appeared in the first three Barney and the Backyard Gang children's videos. She also voiced Peepers the mouse in Rock-a-doodle. Thinking the videos were not going to be popular, she eventually departed from the production; subsequently, when they were reworked into the hit PBS show Barney & Friends, she was surprised by their success.
In 2003, she appeared in the rotating cast of the Off-Broadway staged reading of Wit & Wisdom. In May 2008, she performed one of the lead roles in the musical No, No, Nanette; a production of the City Center's annual Encores! series in New York City. In April 2009, she performed the lead role in the play Driving Miss Daisy at Casa MaƱana Theatre in Fort Worth, Texas. In September 2009, she played the lead role in Tennessee Williams' play "The Glass Menagerie" at the Mountain Playhouse in Jennerstown, Pennsylvania. She has also been in many travelling stage productions, including The King and I.
Read more about this topic: Sandy Duncan
Famous quotes containing the word career:
“John Browns career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (18171862)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (17621835)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)