San Francisco Visual Arts

San Francisco Visual Arts

The history of art in the San Francisco Bay Area includes major contributions to contemporary art, including Abstract Expressionism. The area is known for its cross-disciplinary artists like Bruce Conner, Bruce Nauman, and Peter Voulkos as well as a large number of non-profit alternative art spaces including New Langton Arts, Intersection for the Arts, and Southern Exposure. San Francisco Bay Area Visual Arts has undergone many permutations paralleling innovation and hybridity in literature and theater.

Read more about San Francisco Visual Arts:  Artists 1950-1970, Art Spaces, Schools, See Also

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    The gold-digger in the ravines of the mountains is as much a gambler as his fellow in the saloons of San Francisco. What difference does it make whether you shake dirt or shake dice? If you win, society is the loser.
    Henry David Thoreau (1817–1862)

    Today, San Francisco has experienced a double tragedy of incredible proportions. As acting mayor, I order an immediate state of mourning in our city. The city and county of San Francisco must and will pull itself together at this time. We will carry on as best as we possibly can.... I think we all have to share the same sense of shame and the same sense of outrage.
    Dianne Feinstein (b. 1933)

    Today, San Francisco has experienced a double tragedy of incredible proportions. As acting mayor, I order an immediate state of mourning in our city. The city and county of San Francisco must and will pull itself together at this time. We will carry on as best as we possibly can.... I think we all have to share the same sense of shame and the same sense of outrage.
    Dianne Feinstein (b. 1933)

    The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem.... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.
    Marcel Duchamp (1887–1968)

    Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.
    John Dos Passos (1896–1970)