Music
The title song may be the best-remembered part of the film. It was composed by Bronislaw Kaper and Walter Jurmann, with lyrics by Gus Kahn. It is sung by Jeanette MacDonald a half-dozen times in the film, and becomes an anthem for the survivors of the earthquake. It has now a popular sentimental sing-along at public events such as the city's annual earthquake commemoration, as well as one of two official city songs, along with "I Left My Heart in San Francisco".
Early in the film the song "The Darktown Strutters Ball" can be heard; this is a historically inaccurate inclusion, since the song was written in 1917.
During the two operatic scenes in the film, MacDonald sang excerpts from Charles Gounod's Faust and Giuseppe Verdi's La Traviata.
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Famous quotes containing the word music:
“It is from the blues that all that may be called American music derives its most distinctive character.”
—James Weldon Johnson (1871–1938)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)