Children's Poetry
In 1914 Marshak and his wife worked with children of Jewish refugees in Voronezh. The death of Marshak's young daughter in 1915 directed him toward children's literature. In 1920 Marshak moved to Ekaterinodar (now Krasnodar) to head the province's section of orphanages and it was there that he and a group of enthusiasts, including Elena Vasilieva, organized Children's town that included a children's theater, library, and studios. For this theater, he co-wrote plays that later became the book Theater for Children.
In 1922 Marshak moved back to what was then Petrograd to become the head of the Children's Literature Studio. He published the following works at the publishing house "Радуга" ("Rainbow"): Детки в клетке (Kids in a cage), Пожар (Fire) 1923, Сказка о глупом мышонке (The Tale of a Silly Mouse), Синяя птица (Blue bird), Цирк (Circus), Мороженое (Ice Cream), Вчера и сегодня» (Yesterday and today) 1925, Багаж (Luggage) 1926, Пудель (Poodle), Почта (Post Office) 1927, and Вот какой рассеянный (What an absent-minded guy) 1930.
Marshak had a prolific career in children's literature. Soviet critic Viktor Shklovsky wrote that "Samuil Marshak understood that many new writers would appear in the new Soviet republic. He stood at the door of literature, a benevolent angel, armed not with a sword nor with a pencil, but with words on work and inspiration." Marshak's contributions to the field of children's literature was not just limited to his own writings. In 1924, Marshak became the head of the children's branch of the state publishing house Gosizdat (GIZ), a position he held for over a decade. Through his role as editor, Marhsak attracted some of Russia's best writers to try their hand at writing for children, including Evgenii Shvarts and OBERIU member Daniil Kharms.
Read more about this topic: Samuil Marshak
Famous quotes containing the words children and/or poetry:
“A child of three cannot raise its chubby fist to its mouth to remove a piece of carpet which it is through eating, without being made the subject of a psychological seminar of child-welfare experts, and written up, along with five hundred other children of three who have put their hands to their mouths for the same reason.”
—Robert Benchley (1889–1945)
“There is no gilding of setting sun or glamor of poetry to light up the ferocious and endless toil of the farmers’ wives.”
—Hamlin Garland (1860–1940)