Samuel Pegge - Published Works

Published Works

  1. A Series of Dissertations on some elegant and valuable Anglo-Saxon Remains (chiefly coins), London, 1756.
  2. Memoirs of the Life of Roger de Weseham - Bishop of Coventry and Lichfield, London, 1761.
  3. An Essay on the Coins of Cunobelin, London, 1766. Evans (Coins of the Ancient Britons, p. 7 t cf. p. 342) approved of Pegge's division of the coins, but not of the descriptions of the types.
  4. An Assemblage of Coins fabricated by authority of the Archbishops of Canterbury, London, 1772.
  5. FitzStephen's Description of London (translated from the Latin), 1772.
  6. Evelyn's Fumifugium, edited by S. P., 1772.
  7. Forme of Cury : a Roll of ancient English Cookery, London, 1780; published from a manuscript belonging to Gustavus Brander.
  8. Annales Elise de Trickingham, &c., ed. by S. P., 1789.
  9. The Life of Robert Grosseteste Bishop of Lincoln, London, 1793, (Pegge's principal work).
  10. An Historical Account of Beauchief Abbey (Derbyshire), ed. by J. Nichols, London, 1801, the printing of which was largely supervised by Pegge's son Samuel.
  11. Anonymiana, or Ten Centuries of Observations, 1809; also 1818.
  12. An Alphabet of Kenticisms, printed in "Cleveland Words" &c. (English Dialect Society), 1876. (Nos. 10-12 were posthumous.)
  13. A Disquisition on the Lows or Barrows in the Peak of Derbyshire, Particularly that capital of British Monuments called Arbelows Archaeologia 7: 131-148 1785
  14. Illustrations of some Druidical remains from the Peak of Derbyshire drawn by Hayman Rooke Archaeologia 7: 19-24 1785
  15. Observations by the Rev. M Pegge on the Stanton Moor Urns and Drudical Temple Archaeologia 8: 58-61 1787
  16. Observations on an ancient font at Burnham Deepdale, in Norfolk Society of Antiquaries Nov 18 1790.

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
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