Career On Broadway
After graduating from the University of Illinois Raphaelson lived for varying periods in Chicago, San Francisco, and New York, working as a journalist and an advertising writer, while trying to establish himself as writer of short stories. He had become a successful advertising executive in New York when his secretary encouraged him to convert his short story “The Day of Atonement” into a play. Showing him the manuscript of a play, she pointed out how few words were on each page, adding that he had dictated more than that in two hours the previous afternoon. She volunteered to take dictation over the weekend. The result, by Sunday evening, was a complete draft of The Jazz Singer.
Raphaelson’s second play, Young Love, was banned in Boston when authorities found it too racy. It starred Dorothy Gish, one of the leading actresses of the day.
Three of his subsequent six plays produced on Broadway were chosen for publication in the annual Ten Best Plays of the Season, compiled by Burns Mantle, the widely read critic of the New York Daily News, at the time the largest circulation daily in the U.S. They were Accent On Youth (1934), Skylark (1939) and Jason (1941).
Accent On Youth was a critical and popular success both on Broadway and in London’s West End, where the young Greer Garson played the leading role. Skylark, another substantial hit, starred Gertrude Lawrence. Jason was less successful commercially but won high praise from the New York critics. One called it “the best play of the season” and added that it contained “some of the finest writing to grace a stage in several years.” Another, commenting on one main character inspired by the colorful writer William Saroyan, wrote: “Many authors have tried to put into their plays characters that possess the picturesque qualities attributed to Saroyan, but Mr. Raphaelson is the first to do the thing successfully.”
Read more about this topic: Samson Raphaelson
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