Life As A Poet and Journalist
As of 1984, al-Qasim had written twenty-four volumes of nationalist poetry and published six collections of poems. His poems in general are relatively short, some being no more than just two verses. Some of his famous poems include:
- Slit Lips
- Sons of War
- Confession at Midday
- Travel Tickets
- Bats
- Abandoning
- The Story of a City
- Conversation between Ear of Corn and Jerusalem Rose Thorn
- How I became an Article
- Story of the Unknown Man
- End of a Discussion with a Jailer
- The Will of a Man Dying in Exile
- The Boring Orbit
- The Clock on the Wall
Al-Qasim has contributed to the journals of Al-Ittihad, Al-Jadid, Index and others. He claims, that the pan-Arab ideology of Nasserism impressed him during the nationalist post-1948 era. Most of his poetry relates to the change of life before and after the Nakba, the Palestinian and broader Arab struggle to free their lands from foreign influence, Arab nationalism, and various Arab tragedies. In 1968, he published his first collection of poetry, Waiting for the Thunderbird. Al-Qasim wrote about these subjects while they were at the climax of their popularity among the Arab population in the later half of the 20th century. When asked by his Iraqi friend, poet Buland al-Haidari if he had visited Baghdad, he replied by saying he did not have to, since he views any Arab city as equal to his own Arab residence.
Read more about this topic: Samih Al-Qasim
Famous quotes containing the words life, poet and/or journalist:
“And you tell me, friends, that there is no disputing taste and tasting? But all life is a dispute over taste and tasting!”
—Friedrich Nietzsche (1844–1900)
“A poet is no rattlebrain, saying what comes uppermost, and, because he says every thing, saying, at last, something good; but a heart in unison with his time and country. There is nothing whimsical or fantastic in his production, but sweet and sad earnest, freighted with the weightiest convictions, and pointed with the most determined aim which any man or class knows of in his times.”
—Ralph Waldo Emerson (1803–1882)
“The dominant and most deep-dyed trait of the journalist is his timorousness. Where the novelist fearlessly plunges into the water of self-exposure, the journalist stands trembling on the shore in his beach robe.... The journalist confines himself to the clean, gentlemanly work of exposing the griefs and shames of others.”
—Janet Malcolm (b. 1934)