New Orange Tree Theatre
- All In the Wrong (Arthur Murphy), opening production in the new theatre, February 1991
- Nutmeg and Ginger (Julian Slade) June 1991
- Little Eyolf (Henrik Ibsen) October 1991
- Cerceau (Viktor Slavkin) Walters as a performer only, May 1992
- Dark River revival (Rodney Ackland) March 1992
- His Majesty (Harley Granville Barker) also Edinburgh Festival, September 1992
- The Dutch Courtesan (John Marston) October 1992
- A Penny for a Song (John Whiting)j December 1992
- The Artifice (Susannah Centlivre) February 1993
- Nice Dorothy (David Cregan) May 1993
- A Penny for a Song (John Whiting) revival, July 1993
- Doctor Knock (Jules Romains) revival, October 1994
- Flora the Red Menace (Kander and Ebb) December 1994
- Portrait of a Woman (Michael Vinaver, translated by Donald Watson) February 1995
- The Memorandum (Václav Havel) March 1995
- Retreat (James Saunders) May 1995
- Flora the Red Menace (Kander and Ebb) revival, August 1995
- The Maitlands (Ronald Mackenzie) October 1995
- The Simpleton of the Unexpected Isles (George Bernard Shaw) December 1995
- The Good Woman of Setzuan (Bertolt Brecht) February 1996
- The Power of the Dog (Ellen Dryden) May 1996
- What the Heart Feels (Stephen Bill) October 1996
- Family Circles (Alan Ayckbourn) December 1996
- Inheritors (Susan Glaspell) February 1997
- Family Circles (Alan Ayckbourn) August 1997
- Overboard (Michel Vinaver) October 1997
- All in the Wrong (Arthur Murphy) revival December 1997
- Macbeth (Shakespeare) February 1998
- Sperm Wars (David Lewis) September 1998
- Court in the Act (farce Hennequin and Veber) December 1998
- The Way of the World (Congreve) March 1999
- The Last Thrash (David Cregan) Walters as a performer only, April 1999
- Winner Takes All (farce La main passe Feydau) January 2000
- Hurting (David Lewis) March 2000
- Arms and the Man (George Bernard Shaw) September 2000
- The Daughter-in-Law (D. H. Lawrence) February 2001
- Clockwatching (Torben Betts) March 2001
- Whispers Along the Patio (David Cregan) October 2001, also Stephen Joseph Theatre, Scarborough
- The Caucasian Chalk Circle (Bertolt Brecht, with a new Prologue by James Saunders) November 2001
- Have You Anything to Declare? (farce Hennequin and Veber) December 2001
- Three Sisters (Chekhov, translataed by Carol Rocamora as The Three Sisters) February 2002
- Happy Birthday Dear Alice (Bernard Farrell) April 2002
- The Road to Ruin (Thomas Holcroft) September 2002
- Saints Day (John Whiting) October 2002
- The Game Hunter(Monsieur chasse farce, Feydeau, translated by Richard Cottrell) April 2003
- The Mob (John Galsworthy) September 2003
- King Cromwell (Oliver Ford Davies) November 2003
- Love's a Luxury (farce by Guy Paxton an Edward V Hoile) April 2004
- The Marrying of Ann Leete (Harvey Granville Barker) September 2004
- Myth, Propaganda & Disaster in Nazi Germany & Contemporary America (Stephen Sewell) November 2004
- Monkey's Uncle (David Lewis) October 2005
- A Journey to London (Vanbrugh in a version by James Saunders) December 2005
- The Madras House (Harley Granville Barker) September 2006
- Major Barbara (George Bernard Shaw) October 2006
- The Skin Game (John Galsworthy) March 2007
- The Woman Hater (Fanny Burney) December 2007
- Leaving (Václav Havel), English language premiere, September 2008
- Greenwash (David Lewis), February 2009
- Factors Unforeseen (Michel Vinaver, translated by Catherine Crimp), May 2009
- The Making of Moo (Nigel Dennis), November 2009
- The Lady or the Tiger (Michael Richmond and Jeremy Paul, score by Nola York), January 2010
- Once Bitten (farce by Alfred Hennequin and Alfred Dellacourt, translated and adapted by Reggie Oliver), January 2011
- Reading Hebron (Jason Sherman), February 2011
- Muswell Hill (Torben Betts), February 2012
Read more about this topic: Sam Walters, Productions
Famous quotes containing the words orange, tree and/or theatre:
“I love meetings with suits. I live for meetings with suits. I love them because I know they had a really boring week and I walk in there with my orange velvet leggings and drop popcorn in my cleavage and then fish it out and eat it. I like that. I know I’m entertaining them and I know that they know. Obviously, the best meetings are with suits that are intelligent, because then things are operating on a whole other level.”
—Madonna [Madonna Louise Ciccione] (b. 1959)
“A single soldier does not make a general, just as a single tree does not make a forest.”
—Chinese proverb.
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (1900–1993)