|2002||Road to Perdition||Yes||Yes||6||1||3||2||1|
|2006||Starter for 10||Yes|
|2007||Things We Lost in the Fire||Yes|
|2009||Away We Go||Yes|
|2012||Henry IV, Part I||Yes|
|2012||Henry IV, Part II||Yes|
Other articles related to "film, films, feature films, feature film, feature":
... His first film role was Private Gawky Henderson in The Story of G.I ... Self also appeared in four films directed by Howard Hawks, including Red River (1948) and the Science Fiction cult classic, The Thing from Another World (1951) ... Between 1945 and 1952, he appeared in over thirty films ...
1992, he moved to Los Angeles to pursue his career in film and television ... Soon thereafter he began scoring feature films, most notably Sweethearts (1997) with Janeane Garofalo, and Jack Frost (1996), a horror comedy film ... He wrote the music to 12 feature films for Mystique Films, and 13 feature film Scores for Indigo Films ...
... Montreal and Quebec's cinematographic events is that it is the only francophone film festival devoted solely to presenting quality French-language feature films ... In fact, for many of the films screened, the festival is the only avenue of distribution ... by many artists, journalists and cinephiles as a unique portal to view French-language films ...
1937 Walt Disney produced Snow White and the Seven Dwarfs, the first American feature-length animated film ... However the film did receive very positive reviews and has made millions from subsequent re-releases ... suggested to Disney that it would feature film with other pieces of classical music matched to animation ...
... for the Palme d'Or at the 2001 Cannes Film Festival ... In 2004 Manoel de Oliveira won an Honorary Golden Lion at the Venice Film Festival ... In 2005, there were 13 Portuguese feature films released, one of them an animation co-produced with Spain, Midsummer Dream ...
Famous quotes containing the words films and/or feature:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The proclamation and repetition of first principles is a constant feature of life in our democracy. Active adherence to these principles, however, has always been considered un-American. We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.”
—David Mamet (b. 1947)