Covers By Other Artists/use in Pop Culture
Sam & Dave songs have been recorded by other artists, including 29 covers of "Hold On, I'm Comin'." Others who charted with Sam & Dave songs include ZZ Top -"I Thank You," The Fabulous Thunderbirds -"Wrap It Up," James & Bobby Purify -"I Take What I Want," Linda Ronstadt featuring Aaron Neville -"When Something is Wrong with my Baby," Chuck Jackson & Maxine Brown -"Hold On, I'm Comin'," and Lydia Pense & Cold Blood -"I Take What I Want." A diverse group of other successful artists also recorded Sam & Dave covers including: Aretha Franklin, Elvis Costello, Peter Frampton, The Temptations, Bonnie Raitt, Jackie Wilson, The Eurythmics, Rory Gallagher, Tom Jones, The Band, Martha Reeves & the Vandellas, Michael Bolton, Patti LaBelle & Travis Tritt, Bryan Ferry, Marilyn McCoo & Billy Davis Jr., The Hollies, Paul Butterfield, Taj Majal, Guy Sebastian, and Eric Clapton & B.B. King.
In 2003, the Stax Museum of American Soul Music opened in Memphis and Sam & Dave are in the film made for the Museum, titled Soulsville, and have a permanent wall and video display.
Barack Obama used "Hold On, I'm Comin'" as a theme song on the campaign trail, until Sam Moore requested that he stop using it. Eleven months later Sam Moore performed "Soul Man" with Sting and Elvis Costello at one of Obama's inaugural parties. A parody of "Soul Man" created by Moore, "I'm a Dole Man," was used in the 1996 Bob Dole presidential campaign until the copyright owners objected and requested the campaign stop using it. Sam & Dave released the rare single "Hold on, Edwin's Coming" in 1982 to support Louisiana Governor Edwin Edwards' third run for Governor. Another parody, "I'm a Suns Fan," was recorded by Moore and used for the Phoenix Suns basketball games.
Sam & Dave songs have been frequently used in movie & TV soundtracks and commercials, including "Hold On, I'm Comin'" on the soundtrack of the 2007 hit film American Gangster. "Hold On, I'm Comin'" and "Soothe Me" played on the radio in the Bluesmobile during the 1980 hit movie and cult classic The Blues Brothers. "A Place Nobody Can Find" was used in the background of a scene in HBO's series The Wire. Jay Leno used "Hold on I'm Comin" while driving his AC Cobra on his 2009 Super Bowl commercial to announce his show's move to 10pm. "Wrap it Up" is used as a transition to commercial break for The O'Reilly Factor. "Soul Man" was used as the title and title track in the 1986 movie featuring C. Thomas Howell, and also the 1997–1998 television series featuring Dan Aykroyd. The movie Tapeheads, released in 1988 and starring John Cusack and Tim Robbins, featured Sam Moore and Junior Walker as a fictitious, legendary soul duo called The Swanky Modes. The movie Soul Men, released in November 2008, was a comedy featuring Bernie Mac and Samuel L. Jackson as two feuding soul singers called "The Real Deal." In February 2009, Moore filed suit against the film production company (The Weinstein Company) and the producers for infringing on the marks "Soul Man" and "Soul Men", claiming the movie is based on the careers of Sam & Dave, and damaged both Moore's reputation and career. The Weinstein Company prevailed in the 2012 trial.
Read more about this topic: Sam & Dave
Famous quotes containing the words pop culture, covers, artists, pop and/or culture:
“There is no comparing the brutality and cynicism of today’s pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“Hatred stirs up strife, but love covers all offenses.”
—Bible: Hebrew, Proverbs 10:12.
“For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential—the imagination.”
—Lawrence Durrell (1912–1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“We now have a whole culture based on the assumption that people know nothing and so anything can be said to them.”
—Stephen Vizinczey (b. 1933)