Story
Sally is the princess of the "witch world", Astoria, who longs to visit the mortal realm - presumably to make friends her own age. One day, Sally teleports to the "mid world" (Earth), where she uses her magic to fend off a couple of burglars menacing two young schoolgirls. Immediately befriended by her new acquaintances - tomboyish Yoshiko Hanamura (known affectionately as "Yotchan") and girly Sumire Kasugano - Sally decides to stay on indefinitely, leading to various kinds of shōjo mischief in the best Japanese tradition. As with Samantha Stevens in Bewitched, Sally tries to keep her supernatural abilities secret, assuming the role of a human child.
In the final episode, Sally's grandma informs her she must return to the Magic Kingdom. Before leaving, Sally tries to tell her friends about her origins but no one will believe her. Then her elementary school catches on fire, and Sally uses her magic to put out the fire. Her powers thus exposed, Sally's time to leave has finally come. She waves farewell to her friends, and returns to the Magic Kingdom. The 2nd series ended with the movie/TV special "Sally the Witch: Mother's Love is Eternal", in which Sally becomes queen of the witch world, but worries about leaving her friends behind. As with most Japanese cartoons of the period, Mahōtsukai Sally's main strength lays in its strong characterizations and detailed continuity. The basic storyline would be incorporated into many later Mahō Shōjo programs, particularly the concept of a magical princess relocating to the human world (as in Mahō Tsukai Chappy, 1972, and Majokko Megu-chan, 1974).
Read more about this topic: Sally The Witch
Famous quotes containing the word story:
“For never was a story of more woe
Than this of Juliet and her Romeo.”
—William Shakespeare (1564–1616)
“The psychiatrist’s office: the only place I can be sure my story will be treated as sad, but interesting.”
—Mason Cooley (b. 1927)
“... if there’s a house, then there is a wall ... between them and the outside world. The ideal is to stay inside and to never have to go out, and the whole idea of staying home is really important. I think men do get out, but it is not glamorized the way it is here in America, where the big story is to ride out and go someplace and to travel.”
—Gish Jen (b. 1956)