Plot
After a chance meeting at the laundromat, Jemaine reconnects with Sally. She is interested in resuming their relationship but tells him that they have no future while he remains roommates with Bret. Jemaine immediately announces that he is moving out but refuses to tell a perplexed Bret that it is because of Sally.
At a band meeting, Murray announces that he has started a "band investment portfolio". He has been creaming a bit off the band income and has purchased some real estate — three stars for fifty dollars each. Bret is pleased but Jemaine thinks it's a waste of money. Later in the episode they learn that Jemaine's star has gone supernova.
Jemaine takes Bret and Murray to see his new apartment. It turns out to be an empty cleaning cupboard, which Murray dubs a "compartment". When Jemaine announces he has to leave on a date, Bret quickly works out that it is with Sally. A jealous Bret takes Coco on a date to the same restaurant to which Jemaine has taken Sally. After dinner we learn that Sally is having a birthday party which happens to conflict with Jemaine's housewarming.
In the week leading up to the parties, the two band-mates launch into an escalating competition to craft the most thoughtful and beautiful birthday present for Sally.
At the housewarming, Jemaine learns that Bret has gone to Sally's party instead, so he abandons it also and rushes to Sally's place. However at Sally's party they both get a shock — she tells them that she is engaged to Mark, an Australian former boyfriend. Mark has given her a BMW, which vastly outshines the creepy gifts that Bret and Jemaine have made. The two are heartbroken.
Walking home, Bret asks Jemaine to move back in. Jemaine agrees and then passes on a message from Coco — she has decided to dump Bret due to his obsession with Sally.
Read more about this topic: Sally Returns
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)