Production
After Warner Bros. acquired the rights to 'Salem's Lot, the studio sought to turn the 400-page novel by Stephen King into a feature film, while still remaining faithful to the source material. Producer Stirling Silliphant, screenwriter Robert Getchell, and writer/director Larry Cohen all contributed screenplays but none proved satisfactory. "It was a mess," Stephen King said. "Every director in Hollywood who's ever been involved with horror wanted to do it, but nobody could come up with a script."
The project was eventually turned over to Warner Bros. Television and producer Richard Korbitz decided Salem's Lot would work better as a television miniseries than as a feature film format due the novel's length. Television writer Paul Monash was contracted to write the teleplay, having previously produced the film adaptation of Stephen King's novel Carrie and worked on the television series Peyton Place and as such was familiar with writing about small towns. A screening of The Texas Chain Saw Massacre (1974), resulted in Richard Kobritz selecting Tobe Hooper as director.
With a budget of $4 million, principal photography began on July 10, 1979, in the Northern California town of Ferndale, with some scenes filmed at the Burbank studios. Filming officially wrapped on August 29, 1979.
Read more about this topic: Salem's Lot (1979 TV Miniseries)
Famous quotes containing the word production:
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)