Commission
Saint Matthew and the Angel was created as a commission for the Contarelli Chapel. Caravaggio was previously commissioned to paint two scenes of the saint’s life, and after the patrons were satisfied with them, a third was commissioned.
The Contarelli Chapel was dedicated to Saint Matthew. With funds left for its building left in 1585, it was completed in 1600. Cardinal Del Monte played a major part in orchestrating the decoration of its interior, and was the one who suggested Caravaggio as the painter of the scenes of Saint Matthew’s life. The altar was to be composed of two Caravaggio paintings as well as a statue of the saint by Flemish artist Jacob Cobaert. However, the church was not pleased with the statue and Caravaggio was re-hired to do another piece as the center for the altar, to show Saint Matthew writing the Gospel under the guidance of an angel. Caravaggio depicted the Saint as an unlearned peasant, gaping in the presence of the angel. The church rejected Caravaggio's irreverent presentation of the saint, and Caravaggio replaced it with a more glorifying image, The Inspiration of Saint Matthew, which remains in the Chapel today.
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“Children cannot eat rhetoric and they cannot be sheltered by commissions. I dont want to see another commission that studies the needs of kids. We need to help them.”
—Marian Wright Edelman (b. 1939)
“A sense of humour keen enough to show a man his own absurdities as well as those of other people will keep a man from the commission of all sins, or nearly all, save those that are worth committing.”
—Samuel Butler (18351902)
“Children cannot eat rhetoric and they cannot be sheltered by commissions. I dont want to see another commission that studies the needs of kids. We need to help them.”
—Marian Wright Edelman (20th century)