Analysis
The form is unusual in that the verses are the now familiar standard twelve-bar blues in common time with three lines of lyrics, the first two lines repeated, but it also has a 16-bar bridge written in the habanera rhythm, popularly called the "Spanish Tinge", and identified by Handy as tango Handy's tango-like rhythm is notated as a dotted quarter note, followed by an eighth, and two quarter notes, with no slurs or ties, and is seen in the introduction as well as the sixteen-measure bridge.
While blues became often simple and repetitive in form, "Saint Louis Blues" has multiple complementary and contrasting strains, similar to classic ragtime compositions. Handy said his objective in writing "Saint Louis Blues" was "to combine ragtime syncopation with a real melody in the spiritual tradition."
With traditional New Orleans and New Orleans style bands, the tune is one of a handful that includes a set traditional solo. The clarinet solo with a distinctive series of rising partials was first recorded by Larry Shields on the 1921 Original Dixieland Jass Band record. It is not found on any earlier recordings nor published orchestrations of the tune. Shields is often credited with creating this solo; however, alternative claims have been made for other early New Orleans clarinetists, including Emile Barnes.
Read more about this topic: Saint Louis Blues (song)
Famous quotes containing the word analysis:
“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
—Henry Brooks Adams (1838–1918)