Iconography and Models
St. George is most commonly depicted in early icons, mosaics and frescos wearing armour contemporary with the depiction, executed in gilding and silver colour, intended to identify him as a Roman soldier. After the Fall of Constantinople and the association of St George with the crusades, he is more often portrayed mounted upon a white horse.
At the same time St George began to be associated with St. Demetrius, another early soldier saint. When the two saints are portrayed together mounted upon horses, they may be likened to earthly manifestations of the archangels Michael and Gabriel. St George is always depicted in Eastern traditions upon a white horse and St. Demetrius on a red horse St George can also be identified in the act of spearing a dragon, unlike St Demetrius, who is sometimes shown spearing a human figure, understood to represent Maximian.
A 2003 Vatican stamp issued on the anniversary of the Saint's death depicts an armoured Saint George atop a white horse, killing the dragon.
During the early second millennium, George came to be seen as the model of chivalry, and during this time was depicted in works of literature, such as the medieval romances.
Jacobus de Voragine, Archbishop of Genoa, compiled the Legenda Sanctorum, (Readings of the Saints) also known as Legenda Aurea (the Golden Legend) for its worth among readers. Its 177 chapters (182 in other editions) contain the story of Saint George.
Modern Russians interpret the icon not as a killing but as a struggle, against ourselves and the evil among us. The dragon never dies but the saint persists with his horse (will and support of the people) and his spear (technical means). In Eastern Orthodox Christianity it is possible to find Icons of St.George riding on Black horse, as well, there are various examples in Russian Iconography, like the Icon in British Museum Collection.
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