Sailor Moon Super S: The Movie
Sailor Moon SuperS: The Movie is the third film in the Sailor Moon media franchise. This simplified name is the one given to the English-dubbed edition released by Geneon Entertainment, while its full name in Japanese is in the style of the series' episode titles: Pretty Soldier Sailor Moon SuperS: The Nine Sailor Soldiers Unite! Miracle of the Black Dream Hole (美少女戦士セーラームーンSuperS セーラー９戦士集結！ブラック・ドリーム・ホールの奇跡, Bishōjo Senshi Sērā Mūn Sūpāzu: Sērā Kyū Senshi Shūketsu! Burakku Dorīmu Hōru no Kiseki?). The English dub is called Sailor Moon SuperS: the Movie-Black Dream Hole.
The film debuted in Japanese theaters on December 23, 1995. Its story seems to occur either in the middle of or at the very end of the SuperS series. However, it can also be construed as appearing outside of the series continuity - Sailor Pluto is not present at all during SuperS, and upon her first appearance in Sailor Stars, Sailors Uranus and Neptune express their surprise at her still being alive after the events of episode 124. Pioneer Entertainment released it in the United States on August 15, 2000.
Read more about Sailor Moon Super S: The Movie: Plot, Production, Ami's First Love, See Also
Famous quotes containing the words sailor, moon and/or movie:
“Captain Bligh: Mr. Byam, you’re up late.
Byam: It’s very warm below, sir.
Captain Bligh: I hadn’t noticed it. A true sailor can sleep in an oven, if need be, or in a keg of ice.”
—Talbot Jennings (1896–1985)
“It was the most wild and desolate region we had camped in, where, if anywhere, one might expect to meet with befitting inhabitants, but I heard only the squeak of a nighthawk flitting over. The moon in her first quarter, in the fore part of the night, setting over the bare rocky hills garnished with tall, charred, and hollow stumps or shells of trees, served to reveal the desolation.”
—Henry David Thoreau (1817–1862)
“The geometry of landscape and situation seems to create its own systems of time, the sense of a dynamic element which is cinematising the events of the canvas, translating a posture or ceremony into dynamic terms. The greatest movie of the 20th century is the Mona Lisa, just as the greatest novel is Gray’s Anatomy.”
—J.G. (James Graham)