Saga of The Noble Dead - Novels

Novels

Series/Phase 1
  1. S1B1: Dhampir (2003, ISBN 0-451-45906-7)
  2. S1B2: Thief of Lives (2004, ISBN 0-451-45953-9)
  3. S1B3: Sister of the Dead (2005, ISBN 0-451-46009-X)
  4. S1B4: Traitor to the Blood (2006, ISBN 0-451-46090-1)
  5. S1B5: Rebel Fay (2007, ISBN 0-451-46143-6)
  6. S1B6: Child of a Dead God (2008, ISBN 0-451-46221-1)
Series/Phase 2
  1. S2B1: In Shade and Shadow (2009, ISBN 0-451-46302-1)
  2. S2B2: Through Stone and Sea (2010, ISBN 0-451-46318-8)
  3. S2B3: Of Truth and Beasts (2011, ISBN 0-451-46402-8)
Series/Phase 3
  1. S3B1: Between Their Worlds (2012, ISBN 0-451-46435-4)
  2. S3B2: The Dog in the Dark (2013, ISBN 978-0451464934)
  3. S3B3: The Wind in the Night (2014)
Series/Phase 4
Sidestories
Tales from the World of the Saga of the Noble Dead
  • Homeward
  1. The Game Piece (April 2012, ISBN 978-0-9855616-0-4) by Barb Hendee
  2. The Feral Path (June 2012, ISBN 978-0-9855616-2-8) by Barb Hendee
  3. The Sapphire (July 2012, ISBN 978-0-9855616-3-7) by Barb Hendee
  4. The Keepers (August 2012, ISBN 978-0-9855616-4-2) by Barb Hendee
  5. The Reluctant Guardian (September 2012, ISBN 978-0-9855616-5-9) by Barb Hendee
  • Bones of the Earth
  1. Karras the Kitten (May 2012, ISBN 978-0-9855616-1-1) by J.C. Hendee

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Famous quotes containing the word novels:

    “Primarily I am a passionately religious man, and my novels must be written from the depth of my religious experience.”
    —D.H. (David Herbert)

    “All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.”
    —Christina Stead (1902–1983)

    “The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
    —Milan Kundera (b. 1929)