Sag Harbor Branch - History

History

The line was conceived and surveyed in 1854. In 1869 LIRR president Oliver Charlick wanted the branch to head off plans by the South Side Railroad to extend their line beyond Patchogue. The original plans called for the branch to leave the Main Line at Riverhead. But Riverhead refused to pay the LIRR for the benefits of being at a junction, so the west end was moved to Manorville in the pine barrens in 1869. During construction the Quogue station "on a Sunday morning" was moved by the village from its original and current location to a location on Old Depot Road.

The Sag Harbor Line remained the farthest point on the LIRR's south shore line until 1895 when the LIRR extended the road at Bridgehampton to Montauk leaving the Sag Harbor section a spur of the Montauk Line. In 1906, a new station was opened in Sag Harbor named "Lamb's Corner". Sometime later, this station was renamed to "Noyack Road". During World War I, a freight spur was built onto the newly reinforced Long Wharf in Sag Harbor to deliver torpedoes for the E.W. Bliss Company for testing in the harbor.

The Sag Harbor branch was abandoned on May 3, 1939. A former section of the line in Sag Harbor known as Wharf Street has been designated Suffolk County Road 81 and runs from NY 114 to the Sag Harbor Pier. The rest of the road bed was transformed into the Long Pond Greenbelt. The road bed is now a hiking trail. The freight house at the Sag Harbor train station is now the Sag Harbor Garden Center.

Read more about this topic:  Sag Harbor Branch

Famous quotes containing the word history:

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)

    No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
    Gertrude Stein (1874–1946)

    There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.
    Umberto Eco (b. 1932)