Los Angeles River
Saber is most famous for an exceptionally large piece he did on the concrete bank of the Los Angeles River in 1997. The full color piece took 97 gallons of paint and 35 nights spread out over the course of a year to complete. The final work, measuring 250 x 55 feet has been called "the largest graffiti painting ever." The work was viewable from satellite. Highly visible from the East LA interchange near downtown Los Angeles, it was seen by millions of drivers. A photo taken upon completion of the work shows the full scale; Saber can be seen sitting in the upper portion of the letter B, and above the concrete bank several trains show the relative length. The global reputation of the work within the graffiti world was further spread when that same photo was used as the splash screen for artcrimes.org, the first graffiti art website. In 2004, Saber recreated the piece in a diorama of the river for the Natural History Museum of Los Angeles County exhibit, L.A.: light / motion / dreams. In 2007, the piece was included in the KCET project Departures: LA River. Remarkable not only for sheer size, Saber's LA River piece remained for 12 years. On September 1, 2009, a sub-contractor of the Army Corps of Engineers, BJD Resourcing, removed the work by painting over it. Despite being an ineffective long term strategy for graffiti removal, the company received $837,000 of federal stimulus money for the work.
Read more about this topic: Saber (artist)
Famous quotes containing the words los angeles, los, angeles and/or river:
“It is hereby earnestly proposed that the USA would be much better off if that big, sprawling, incoherent, shapeless, slobbering civic idiot in the family of American communities, the City of Los Angeles, could be declared incompetent and placed in charge of a guardian like any individual mental defective.”
—Westbrook Pegler (1894–1969)
“If Los Angeles has been called “the capital of crackpots” and “the metropolis of isms,” the native Angeleno can not fairly attribute all of the city’s idiosyncrasies to the newcomer—at least not so long as he consults the crystal ball for guidance in his business dealings and his wife goes shopping downtown in beach pajamas.”
—For the State of California, U.S. public relief program (1935-1943)
“Cities are ... distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.”
—Jean Baudrillard (b. 1929)
“My favorite figure of the American author is that of a man who breeds a favorite dog, which he throws into the Mississippi River for the pleasure of making a splash. The river does not splash, but it drowns the dog.”
—Henry Brooks Adams (1838–1918)