Los Angeles River
Saber is most famous for an exceptionally large piece he did on the concrete bank of the Los Angeles River in 1997. The full color piece took 97 gallons of paint and 35 nights spread out over the course of a year to complete. The final work, measuring 250 x 55 feet has been called "the largest graffiti painting ever." The work was viewable from satellite. Highly visible from the East LA interchange near downtown Los Angeles, it was seen by millions of drivers. A photo taken upon completion of the work shows the full scale; Saber can be seen sitting in the upper portion of the letter B, and above the concrete bank several trains show the relative length. The global reputation of the work within the graffiti world was further spread when that same photo was used as the splash screen for artcrimes.org, the first graffiti art website. In 2004, Saber recreated the piece in a diorama of the river for the Natural History Museum of Los Angeles County exhibit, L.A.: light / motion / dreams. In 2007, the piece was included in the KCET project Departures: LA River. Remarkable not only for sheer size, Saber's LA River piece remained for 12 years. On September 1, 2009, a sub-contractor of the Army Corps of Engineers, BJD Resourcing, removed the work by painting over it. Despite being an ineffective long term strategy for graffiti removal, the company received $837,000 of federal stimulus money for the work.
Read more about this topic: Saber (artist)
Famous quotes containing the words los angeles, los, angeles and/or river:
“It is hereby earnestly proposed that the USA would be much better off if that big, sprawling, incoherent, shapeless, slobbering civic idiot in the family of American communities, the City of Los Angeles, could be declared incompetent and placed in charge of a guardian like any individual mental defective.”
—Westbrook Pegler (1894–1969)
“If Los Angeles is not the one authentic rectum of civilization, then I am no anatomist. Any time you want to go out again and burn it down, count me in.”
—H.L. (Henry Lewis)
“Cities are ... distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.”
—Jean Baudrillard (b. 1929)
““I’ll love you dear, I’ll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street.”
—W.H. (Wystan Hugh)