Writing Style
Stirling's novels are generally conflict-driven and often describe military situations and militaristic cultures. In addition to his books' military, adventure and exploration focus, he often describes societies with cultural values significantly different from modern western views. One of his recurring topics is the influence of the culture on an individual's outlook and values, with a particular emphasis on the idea that most people and societies consider themselves (mostly) moral.
Stirling also has a fascination with technological development, and frequently turns to explorations of this within the context of many of his novels. The Draka (see below) for instance, chose and faced a different imperative in their conquest of Africa, and turned earlier to breech-loading firearms and steam power than the rest of the Western World. The stranded islanders of Nantucket must try to rebuild their technological base once the island is stranded in 1250 BC, while the dazed survivors of the 'Change' now face a world where electricity, firearms, and internal combustion no longer work.
Stirling also tends to write strong female characters who have prominent roles within the story.
In the past he has frequently collaborated with other authors, including David Drake, Jerry Pournelle, Anne McCaffrey and Raymond E. Feist.
Read more about this topic: S. M. Stirling
Famous quotes containing the words writing and/or style:
“The big toad sits in my writing room
preventing me from writing. I am a flower
who dries out under her hot breath.”
—Anne Sexton (1928–1974)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)