Ryszard Wasko - Gallery

Gallery

  • Chair I (1971)
    photography

  • Chair II (1971)
    photography

  • Four-dimensional photography II (1972)
    photography

  • Negation (1973)
    stills from the film

  • Event on pane (1975)
    happening at Remont Gallery, Warsaw, Poland

  • Discontinous Sculpture (1985)
    acrylic on wood

  • Hypothetical Checkpoint Charlie (1988)
    acrylic on photo and board

  • Man in the Night (1988)
    painting
    (soot, gold leaf, oil on canvas)
    dedicated to Barnett Newman

  • Small Rose Garden (1993)
    painting
    (oil and pencil on canvas)

  • Red Rock at Dawn (1994)
    painting
    (soot and pigment on canvas)

  • 7 Paths of Roses (1995)
    sand painting
    Negev Desert, Israel
    work for Construction in Process V

  • Small Rose Garden (1997)
    installation with 4000 plastic roses
    at the Zacheta Gallery
    in Warsaw, Poland

  • Small Rose Garden (1997)
    plastic roses and pitch on steel plate

  • MonidÅ‚o dla Polski na XXI wiek (2000)
    digital photography on canvas
    Flower Power series

  • I am telling you a secret (2004)
    digital photography
    series

  • I am telling you a secret (2004)
    digital photography
    series

  • Marcel, or dream with parrot (2004)
    installation
    Lodz Biennale

  • TV Stories (2006)
    oil on canvas
    series

  • TV Stories (2006)
    oil on canvas
    series

Read more about this topic:  Ryszard Wasko

Famous quotes containing the word gallery:

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)