Merchant Ivory Productions
In 1963, Jhabvala was approached by filmmakers James Ivory and Ismail Merchant to write a screenplay of her 1960 novel The Householder. The film, The Householder, was released by Merchant Ivory Productions in 1963 – this began a partnership that would produce over 20 films. She had no previous film making experience.
The next Merchant-Ivory project Shakespeare Wallah (1965), was a critical success, and it was followed by a number of other collaborations between the three, including an adaptation of Jhabvala's novel Heat and Dust, (1983); the docudrama The Courtesans of Bombay (1983); A Room with a View (1985), for which she won her first Oscar; Mr. and Mrs. Bridge (1990); Howards End (1992), her second Oscar win; and The Remains of the Day (1993), for which she was nominated for a third Oscar for Best Adapted Screenplay, though she did not win. Her screenplays are often less comedies of manners than profound struggles over the souls of young women.
Of this collaboration, Ismail Merchant once commented: "It is a strange marriage we have at Merchant Ivory...I am an Indian Muslim, Ruth is a German Jew, and Jim is a Protestant American. Someone once described us as a three-headed god. Maybe they should have called us a three-headed monster!"
Ismail Merchant died in 2005, of complications resulting from a stomach ulcer.
Jhabvala's last screenplay was The City of Your Final Destination (2008), based on the novel of the same name by Peter Cameron.
Read more about this topic: Ruth Prawer Jhabvala
Famous quotes containing the words merchant, ivory and/or productions:
“I need not tell you of the inadequacy of the American shipping marine on the Pacific Coast.... For this reason it seems to me that there is no subject to which Congress can better devote its attention in the coming session than the passage of a bill which shall encourage our merchant marine in such a way as to establish American lines directly between New York and the eastern ports and South American ports, and both our Pacific Coast ports and the Orient and the Philippines.”
—William Howard Taft (1857–1930)
“It’s wonderful how I jog
on four-honed-down ivory toes
my massive buttocks slipping
like oiled parts with each light step.”
—Philip Levine (b. 1928)
“Eternity is in love with the productions of time.”
—William Blake (1757–1827)