Russian Rock - Characteristics

Characteristics

Fans of Russian Rock would frequently refer to most of the music on MTV Russia dismissively as "popsa", a dichotomy that appeared in the '80s when government controlled radio and TV stations would air only politically harmless music by performers such as Philipp Kirkorov. The lines are still quite clearly drawn, with bands such as Nogu Svelo! - who recorded a song with pop-singer Nataliya Vetlitskaya - being an anomaly.

In contrast to Western rock, Russian rock is often said to have less drive; it is characterized by different rhythms, instruments and more involved lyrics. Unconventional instruments have often been used in addition to the standard electric guitars and drums (very often violin and wind instruments).

Another characteristic of Russian Rock is being partly Folk rock. Very often Russian Rock songs, especially those of the classic 80s bands, talk about national themes and feature elements from Russian folk music. Aquarium, DDT and Yuri Morozov could be used as examples for that.

Considering its poetic roots (Russian literature, bard music), it is not a big surprise that lyrics play a far larger role in Russian rock than Western rock. Vocal melody is sometimes eschewed in favor of a more impassioned delivery (Viktor Tsoi, the lead singer of Kino, pioneered a characteristically strained, monotonous style of singing that has been imitated by many).

Russia has always been facing both East and West with its double-headed Eagle on the coat-of-arms. The Eastern derivative in the Russian rock came with soundtracks from movies like Day Watch that had Tamerlan's legend of the Chalk of Destiny at its roots. Russian rock expressively used and integrated elements from culture, as well as Western and Eastern (especially countries of the USSR).

Yngvar Bordrewich Steinholt (University of Tromsø, Norway) has written a PhD thesis in English that was printed by The Mass Media Music Scholars Press titled "Rock in the Reservation" (2004) about the Leningrad Rock Club. It also touched upon the history of rock in Russia and its counter-cultural tendencies.

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