Russell Senior - Pulp

Pulp

Senior first met Pulp in 1980 when he reviewed a show of theirs for his fanzine, also called The Bath Banker. He joined the third line-up of the band in 1983, the other members being Jarvis Cocker (vocals/guitar), Magnus Doyle (drums) and Peter Mansell (bass). During the mid-1980s he was a central member of the group, often taking vocal duties. He also played the violin on a number of tracks.

As the band became successful, Senior became dissatisfied with the touring, recording and publicity treadmill the band found themselves on after their long-awaited success, and on 20 January 1997 he left Pulp to work on other projects. He commented that he did not like the Cocker led song "Help the Aged", and that he didn't feel was a worthy follow-up to "Common People", so he deliberately tried to sabotage it in the studio. Soon afterwards, feeling his unhappiness was leading the atmosphere in the band to become poisonous, he told Cocker he was quitting. In an interview he said that "I was very proud of being in Pulp. I thought it was the best band in the world when I was in it, but I want to be able to move on from it at some point."

In 2010 he revealed he was still friendly with his old band members, and said he left in 1997 because, "I liked the idea of ending on a high, I didn't want to slowly fade away."

In November 2010, it was announced that Pulp were to reform and play live in 2011, which included Russell Senior in the line-up. He has however not continued with the band for their 2012 tour.

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Famous quotes containing the word pulp:

    Tell me, how many hands have palpated the pulp that has grown so generously around your hard, bitter little soul?
    Vladimir Nabokov (1899–1977)

    He wrote me sad Mother’s Day stories. He’d always kill me in the stories and tell me how bad he felt about it. It was enough to bring a tear to a mother’s eye.
    Connie Zastoupil, U.S. mother of Quentin Tarantino, director of film Pulp Fiction. Rolling Stone, p. 76 (December 29, 1994)

    For men tied fast to the absolute, bled of their differences, drained of their dreams by authoritarian leeches until nothing but pulp is left, become a massive, sick Thing whose sheer weight is used ruthlessly by ambitious men. Here is the real enemy of the people: our own selves dehumanized into “the masses.” And where is the David who can slay this giant?
    Lillian Smith (1897–1966)