Russell Garcia (composer) - His Music

His Music

  • 1950 - Radar Secret Service
  • 1953 - Limelight, miscredited 1972 Oscar for Best Original Dramatic Score given to someone else
  • 1955 - Wigville
  • 1955 - Four Horns and a Lush Life
  • 1956 - On Four Horns and a Lush Wife
  • 1956 - The Johnny Evergreens
  • 1956 - Peggy Connelly with Russ Garcia--That Old Black Magic
  • 1956/57 - About the Blues (Julie London album)
  • 1956 - The Complete Porgy and Bess
  • 1957 - Porgy and Bess Ella Fitzgerald and Louis Armstrong
  • 1957 - The Warm Feeling
  • 1957 - Listen to the Music of Russell Garcia
  • 1957 - Make Love to Me (Julie London album)
  • 1957 - Sounds in the Night (Bethlehem Records)
  • 1958 - Anita Sings the Winners
  • 1959 - Get Happy! (Ella Fitzgerald album)
  • 1959 - Jazz Music for Birds and Hep Cats
  • 1959 - Fantastica: Music From Outer Space - see Theodore Keep
  • 1960 - Cool Velvet (see Stan Getz)
  • 1960 - Mel Torme: Swingin' On the Moon
  • 1960 - Margaret Whiting Sings the Jerome Kern Songbook
  • 1960 - Blossom Dearie: Soubrette Sings Broadway Hit Songs
  • 1960 - The Time Machine (soundtrack)
  • 1961 - Atlantis, the Lost Continent (soundtrack)
  • 1965 - Laredo (TV series) (soundtrack)
  • 1968 - Three Guns for Texas (soundtrack)
  • 1979 - Variations for Flugelhorn, String Quartet, Bass & Drums
  • 1986 - Jazz Variations
  • 2002 - The Unquenchable Flame
  • 2009 - Charmed Life: Shaynee Rainbolt SINGS Russell Garcia

His Baha'i music includes the music (and non scripture lyrics) for 1960s and 1970s songs "One Heart Ruby Red" (with Donna Taylor), "Nightingale of Paradise" (with Gina Garcia), "Hollow Reed", "We Will Have One World", "The Hatin' Wall" (with Donna Taylor), "Live in the Glory" (with Dorothy Wayne), "Hidden Words", and "Into Parched and Arid Wastelands"

    • Note: This discography is incomplete

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Famous quotes containing the word music:

    “Taylor, the Shakespeare of divines.
    His words are music in my ear,”
    —Ralph Waldo Emerson (1803–1882)

    “For do but note a wild and wanton herd
    Or race of youthful and unhandled colts
    Fetching mad bounds, bellowing and neighing loud,
    Which is the hot condition of their blood;
    If they but hear perchance a trumpet sound,
    Or any air of music touch their ears,
    You shall perceive them make a mutual stand,
    Their savage eyes turned to a modest gaze
    By the sweet power of music.”
    —William Shake{peare (1564–1616)