Placing The Song With A Performer
The song's composers Pearu Paulus, Ilmar Laisaar and Alar Kotkas (music) and Jana Hallas (lyrics), had previously written "Once In A Lifetime" the Estonian entrant for Eurovision 2000 performed by Ines and Ines was at first set to perform the song. However Ines withdrew shortly before Eurolaul 2002 - the Estonian preselection Eurovision round - and the song's composers, after unsuccessfully shopping their song to a number of Estonian singers including Koit Toome - contacted the Swedish division of Virgin Records who suggested Sahlene who was on the Virgin roster: on the evening of the same day Sahlene received a telephone call from Virgin Records and resultantly flew out to the Estonian capital of Tallinn at 6 a.m. the following morning. Sahlene had two weeks to work with the song's composers prior to performing "Runaway" in Eurolaul.
Read more about this topic: Runaway (Sahlene Song)
Famous quotes containing the words placing the, placing, song and/or performer:
“Placing the extraordinary at the center of the ordinary, as realism does, is a great comfort to us stay-at-homes.”
—Mason Cooley (b. 1927)
“That man is to be pitied who cannot enjoy social intercourse without eating and drinking. The lowest orders, it is true, cannot imagine a cheerful assembly without the attractions of the table, and this reflection alone should induce all who aim at intellectual culture to endeavor to avoid placing the choicest phases of social life on such a basis.”
—Mrs. H. O. Ward (1824–1899)
“She sang a song that sounds like life; I mean it was sad. Délira knew no other types of songs. She didn’t sing loud, and the song had no words. It was sung with closed lips and it stayed down in one’s throat.... Life is what taught them, these Negresses, to sing as if they were choking back sobs. It is a song that always ends with a beginning anew because this song is the picture of misery, and tell me, does misery ever end?”
—Jacques Roumain (1907–1945)
“Good writing is a kind of skating which carries off the performer where he would not go, and is only right admirable when to all its beauty and speed a subserviency to the will, like that of walking, is added.”
—Ralph Waldo Emerson (1803–1882)